ddrum recently announced the release of the Vinnie Paul Limited Edition Commemorative Snare Drum. This snare is limited to 250 drums worldwide and is available now at authorized ddrum dealers. The custom dragon wrap on the 8x14 maple shell was conceived by legendary PANTERA, HELLYEAH and DAMAGEPLAN drummer Vinnie Paul Abbott, and based on the hat he loved and wore religiously. The Vinnie Paul snare is a flashback to the original ddrum signature model built for Vinnie when he joined the company. The limited-edition commemorative snare drum features an eight-ply North American maple shell with 45-degree inner and 30-degree outer bearing edges with slight round-over. In addition, the drum features chrome hardware, a premium snare throw-off, 10 double-sided ddrum turret lugs, and die-cast hoops for increased tuning stability, and overall rim shot clarity and volume. "I've spent years working on these snares for Vinnie," said Abbott's longtime drum tech Patrick King (a.k.a. "PKING"). "This snare resonates on so many levels with me. It rings in my ears (literally and figuratively) and through my core. This snare is not just a snare. It's an extension of Vince. His sound. His heart. His legacy." The ddrum Vinnie Paul Limited Edition Commemorative Snare Drum includes a special synthetic leather bag and sells for $499.00 at authorized ddrum dealers while supplies last. For more information and to see the rest of the ddrum product line, go to www.ddrum.com. Vinnie passed away on June 22, 2018 at his home in Las Vegas at the age of 54. He died of dilated cardiomyopathy, an enlarged heart, as well as severe coronary artery disease. His death was the result of chronic weakening of the heart muscle — basically meaning his heart couldn't pump blood as well as a healthy heart. A public memorial for Vinnie Paul was held on July 1, 2018 at Bomb Factory in Dallas, Texas. Not long before his death, Vinnie laid down the drum tracks for HELLYEAH's sixth album, "Welcome Home", which was released in September 2019. [youtube https://www.youtube.com/watch?v=d0tgLQ-Wv3s&w=638&h=359]
Hulu has released a first look at Sebastian Stan and Lily James as MÖTLEY CRÜE drummer Tommy Lee and "Baywatch" star Pamela Anderson in the limited series "Pam And Tommy" about their infamous leaked sex tape. Seth Rogen will also appear in the series as the man who stole the tape, and will produce with his partner Evan Goldberg. The series also stars Nick Offerman, Taylor Schilling, Andrew Dice Clay, Pepi Sonuga, Spencer Granese and Mozhan Marnò. The eight-episode series will focus on series the duo's salacious relationship in the 1990s, including the leak of the private honeymoon video and the legal battle that ensued. Lee and Anderson are reportedly not involved with the series, which is written by Robert Siegel and DV DeVincentis and produced by Annapurna. Anderson and Lee got married on a beach in Mexico in 1995 after dating for just four days. The couple, who divorced in 1998, share two sons, Brandon, 24, and Dylan, 22. The sex tape Lee made with Anderson during their 1998 honeymoon ended up finding its way online after being stolen from their home by an electrician. Pamela later sued the distribution company, but ended up settling, and the tape continued to be available online as a result. The tape reportedly made $77 million in less than 12 months. "I've never seen it," Anderson said on "Watch What Happens Live" in 2015. "I made not one dollar. It was stolen property. We made a deal to stop all the shenanigans. I was seven months pregnant with Dylan and thinking it was affecting the pregnancy with the stress and said, 'I'm not going to court anymore. I'm not being deposed anymore by these horny, weird lawyer men. I don't want to talk about my vagina anymore or my public sex — anything."
Here’s a peek at Pam & Tommy, coming to @Hulu. Based on the true scandal that started it all, featuring Lily James, Sebastian Stan and @SethRogen… ready to rewind? #PamAndTommy pic.twitter.com/4ctdKYEm9F— Pam & Tommy on Hulu (@pamandtommy) May 7, 2021 https://platform.twitter.com/widgets.js View this post on Instagram //www.instagram.com/embed.js
PERRY FARRELL Teams Up With TAYLOR HAWKINS And DAVID BRYAN For New KIND HEAVEN ORCHESTRA Single 'Mend'
JANE'S ADDICTION and PORNO FOR PYROS frontman Perry Farrell has announced his KIND HEAVEN ORCHESTRA's brand new single, "Mend". Working with friends Taylor Hawkins (FOO FIGHTERS), Elliot Easton (THE CARS) and David Bryan (BON JOVI) made this song special for Farrell. Written with Hawkins, "Mend" addresses the relationship of a mutual friend falling apart. Lyrics like "I want to be with her again. In lovers' clouds, my head surrounded. Oh, that's the only way, I must see her again. So my broken heart can mend," shed light on his heartbreak. Farrell says of his motivation: "I've tried to reach through his ribcage and examine the heart of a good friend. Tried to empathize with what he was going through. I tried to mend my friend." This release comes in the wake of the compilation of Perry Farrell's work (outside of JANE'S ADDICTION and PORNO FOR PYROS) in his box set "The Glitz: The Glamour", which was released January 2021. More PORNO FOR PYROS music is forthcoming and post-pandemic JANE'S ADDICTION dates are currently being announced. Due out on May 21, the "Mend" single can be pre-ordered/saved now at this location. "The Glitz; The Glamour" is a 35-year retrospective of Perry's life, music and art — focusing on 68 tracks worth of his alt rock rarities and innovative artistic explorations. The retrospective is served up in the form of a vinyl and collectible box-set and is an art piece in its own right — in collaboration with fine artist Zoltar, this offering firmly puts Farrell's stake in the ground as the "godfather of alternative rock." In addition to the deep groove vinyl recordings, the box-set includes a Blu-ray featuring 12 uncompressed Dolby Atmos mixes from "Kind Heaven" and three previously unreleased Atmos mixes, a photographic memoir hardcover book, a bandana, plus two exclusive Zoltar prints. "The Glitz; The Glamour" is out now via Last Man Music. Visit www.perryfarrell.com for more information.
On May 6, SYSTEM OF A DOWN frontman Serj Tankian was joined by students from Artsakh (Nagorno-Karabakh) to perform "Bari Aragil" at the Hope For Armenia virtual event hosted for Teach For Armenia. The program in support of education in Armenia and Artsakh drew many attendees, including cameos by actress and singer Cher and entrepreneur Kim Kardashian. Modeled after Teach For America, Teach For Armenia is a partner of the Teach For All global network, putting an emphasis on the importance of education so that children can continue to grow and thrive. Serj previously performed "Bari Aragil" with his father Khatchadour Tankian more than a decade ago, and they even filmed a very special video for the track showcasing the two of them singing it together. It was featured twice on the Thanksgiving day Armenia Fund Telethon broadcast worldwide in 2009. In November 2020, SYSTEM OF A DOWN made new music available for the first time since 2005 in order to rally for Armenia. They released "Protect The Land" and "Genocidal Humanoidz" and pledged royalties earned, including from purchases on Bandcamp, to the major non-profit Armenia Fund. Along with other donations from fans on their social pages, they have raised over $600,000. Tankian was born to Armenian parents, with four grandparents who escaped from Armenia to Lebanon during the persecution of the Armenians. [youtube https://www.youtube.com/watch?v=52h4gqLCbQ8&w=638&h=359]
In a new interview with New York's Q104.3 radio station, FOO FIGHTERS frontman Dave Grohl said that he believes there is pent-up demand for live performances from music-starved audiences who haven't been able to attend concerts in nearly 15 months. "In the last year and a half, I've noticed that people are craving live music more than they ever have," he said. "And so it doesn't matter if it's NEW KIDS ON THE BLOCK, they're gonna run to a concert to see it when things open up. Because it's what human beings do; I think that human beings need to feel that tangible, communal experience because it makes you feel not alone. When you see a human being on stage and you're a human being in the front row, it's reassuring because you realize, like, 'Oh, this is a big part of why we're alive.'" Earlier this week, Live Nation, the world's largest live event and ticketing company, said that it has already booked twice as many shows for 2022 as it did in 2019. Live Nation has confirmed several major tours for 2021, including MEGADETH and LAMB OF GOD's "The Metal Tour Of The Year". 2022 will see the long-awaited reunion tours of RAGE AGAINST THE MACHINE and MY CHEMICAL ROMANCE. During a call with with investors on Thursday (May 6), Live Nation CEO Michael Rapino said: "Around the world, people are showing the need to get out and socialize once again which reinforces our expectation that a return to concerts will be the logical progression as vaccines are readily available to everyone who wants to get one. This is generally already the case in the U.S. where we are confidently planning our reopenings, particularly for outdoor shows, and we expect many of our other major markets will follow this summer." [youtube https://www.youtube.com/watch?v=6UfDjJTJIp8&w=638&h=359]
Legendary punk rock band MISFITS has replaced MY CHEMICAL ROMANCE on the billing of this year's Aftershock festival, set to take place October 7-10 at Discovery Park in Sacramento, California. As previously announced, Aftershock 2021 will be headlined by METALLICA (performing two unique sets, one on Friday and one on Sunday), with MISFITS headlining on Saturday, October 9. The diverse Aftershock 2021 lineup will also include: LIMP BIZKIT, RANCID, THE OFFSPRING, SOCIAL DISTORTION, RISE AGAINST, VOLBEAT, MACHINE GUN KELLY, MASTODON, GOJIRA, SEETHER, ASKING ALEXANDRIA, and many more. MY CHEMICAL ROMANCE canceled its appearance at Aftershock after announcing that it was postponing its reunion tour to 2022. Last month, Glenn Danzig told Rolling Stone magazine that the door was "open" to MISFITS playing more shows. "If we do it, I would like to play some places we haven't played yet, Texas or Florida or places like that," he said. We haven't done any shows in those states, and those states are fully open." The initial comeback performance by MISFITS members Danzig, Jerry Only and Doyle Wolfgang Von Frankenstein took place at the 2016 Riot Fest. The estranged bandmates played together for the first time since 1983 and were backed by former SLAYER drummer Dave Lombardo and guitarist Acey Slade. Since then, the original lineup of the MISFITS has reunited for scattered dates, with the most recent one taking place in December 2019 at Wells Fargo Arena in Philadelphia, Pennsylvania. Prior to the Riot Fest concerts, Glenn, Jerry and Doyle Wolfgang Von Frankenstein last performed together on October 29, 1983. The original MISFITS band broke up in 1983, and Only brought forth a new version of the MISFITS in 1995. Various members have come and gone, but Only, along with BLACK FLAG's Dez Cadena, has kept some form of the MISFITS in the recording studio and on the road for most of the last two and half decades.
PHILIP ANSELMO On PANTERA's 'The Great Southern Trendkill': 'I Was In A Superbly Dark Spot When We Did That Record'
1996's "The Great Southern Trendkill" is PANTERA's most extreme and abrasive album, hands down. Characteristically defiant and contrarian, the band followed up its No. 1 Billboard-charting "Far Beyond Driven" with an LP that was far beyond confrontational — musically experimental, sonically bombastic and lyrically scathing. For the 25th anniversary of the landmark record (released on May 7, 1996), Revolver magazine talked to singer Philip Anselmo about the dark days that inspired such dark music. Anselmo said (as transcribed by BLABBERMOUTH.NET): "I was in a superbly dark fucking spot when we did that record. And what I remember about doing it was pretty ugly, but I was surrounded by beautiful things. I was in New Orleans. I was at Trent Reznor's studio; that place was fucking beautiful and awesome. And [producer] Terry Date was there. And Terry Date would come, fly out to work with me. It was the first record I did away from the band. I was injured, man. I was addicted to drugs. And sometimes when you're in those dark places, they make for some goddamn good music or interesting expressions of music and art in general. "I think I felt pretty confident that the songs were devastating enough," he continued. "I can just leave it at that — I felt like they were devastating. We did some different stuff musically, with the guitar tones and whatnot — cleaner tones and shit like that." Philip also talked about "The Great Southern Trendkill" title track, which opened the album in a spectacularly brutal fashion. "It needed to," he said. "It was like an announcement. That first song was, 'We have not left our heavy metal roots behind. We have not. And we will not abandon the cause.' And that's how we felt about it." "The Great Southern Trendkill" was reissued in 2016 for its 20th anniversary. The two-disc "The Great Southern Trendkill: 20th Anniversary Edition" included the original album remastered, plus a dozen previously unreleased mixes, instrumentals, and live recordings. Five years ago, Anselmo told the "Do You Know Jack?" radio show about the making of "The Great Southern Trendkill": "Well, it was very interesting times and very trying times as well. On a personal level, I wasn't doing all that well because I was injured, I was making every rookie mistake in the world with pain medication and all that stuff, and I was embarrassed. I didn't wanna see anybody, man; I was in a bad way. However, I was present throughout the entire writing of the songs, musically, because I am the lyricist, so therefore shaping a song and getting it into some semblance of song structure, of course, they needed me there for that. But I did decide to do my vocals on my own at Trent Reznor's studio that he used to have here in New Orleans which was awesome." He continued: "Aside from all of that, I had a journalist just yesterday say, 'Well, this is kind of a dark-horse record for PANTERA.' And you know what? I could not disagree with the person. And I still say, yeah, it was a bit of a dark-horse record for PANTERA, because heavy metal, at the time, was supposed to be on its way out. Grunge was the number-one-selling genre at the time. Heavy metal was being experimented with by different bands, in different ways, and, really, from the PANTERA perspective, we really, really, really, really wanted to fly the pure PANTERA style of heavy metal as best we could. And we did. And, you know, I'll go a bit further and say that right when we… the day we all arrived to meet up and go on our first tour for 'The Great Southern Trendkill', our road manager approached me and he said, 'Phil, you know, man. Don't expect sold-out shows, man. Heavy metal's on its way out. Kids are listening to different stuff. And it's gonna be rough. Don't expect this. Don't expect that.' And I was, like, 'Great! I appreciate the pep talk.' But the best thing that remedied this bullshit diatribe was that he was dead wrong. That show — that first show — was packed to the gills, sold out, as were most of the other ones. So fucking in your face opinion." Around the same time, PANTERA drummer Vinnie Paul Abbott told "Whiplash", the KLOS radio show hosted by Full Metal Jackie, that "The Great Southern Trendkill" "was a really crazy record for PANTERA. I mean, it was the most chaotic, most unorganized, most against-the-grain record that we ever made, looking back at it, after being a part of the remastering and everything that was there. That being said, it came out at a time, in 1996, when rap metal was coming in, and I even remember us getting a phone call from the president of our label, saying, 'Hey, you guys need to… Be sure and start rapping on your record, add some rap to it.' And we just kind of laughed and said, 'Okay, we'll get right on that.' And anyways, that record was really designed as just a gigantic bird finger to the music industry at that time, and I think it really accomplished what it was all about." [youtube https://www.youtube.com/watch?v=hut-gGgxMNE&w=638&h=359]
BRIAN MAY And ROGER TAYLOR Would Like To Release New QUEEN Music With ADAM LAMBERT: But 'It Has To Be Perfect'
QUEEN's Brian May and Roger Taylor have confirmed to Spotify's "Rock This With Allison Hagendorf" that they tried to record a new song with singer Adam Lambert but they ultimately decided against releasing it. "Yeah, we did have a little playaround," Brian said (as transcribed by BLABBERMOUTH.NET). "We didn't actually finish anything to our satisfaction. It has to be perfect, it has to be great when we come out with something… But, yeah, it could happen." Added Roger: "I'd like it to happen, but as Brian said, it's gotta be really great. It can't be ordinary, and I think we'd all feel very disappointed if it came out and everybody went, 'Hmmm…' It's gotta be good." May and Taylor went on to praise the current QUEEN singer and former "American Idol" runner-up, with Roger saying: "Adam is an exceptional talent, and I just can't speak highly enough of him. His voice is second to none. He's been nothing but a pleasure since we've been working together, which is why we continue to do so." Added Brian: "I call him the G.F.G — the gift from God — 'cause we weren't looking for that. And somehow he was there. And, of course, he doesn't imitate [late QUEEN singer] Freddie [Mercury] in any shape or form, but he's able to rise to the challenge of interpreting every one of those songs and making them something special, even in the light of history. He has big shoes to fill. And he's a phenomenon. There's no doubt. Nobody else could have stepped into that place. We love Adam, and hopefully we'll be back out there with him next May and June." The recording sessions for aforementioned "abandoned" track reportedly took place in Nashville during a QUEEN + ADAM LAMBERT U.S. tour. Lambert, May and Taylor first shared the stage during "American Idol" in May 2009 for a performance of "We Are The Champions". They teamed up again in 2011 at the MTV European Music Awards in Belfast, Ireland for an electrifying eight-minute finale of "The Show Must Go On", "We Will Rock You" and "We Are The Champions" and in the summer of 2012, Lambert performed a series of shows with QUEEN across Europe as well as dates in Russia, Ukraine and Poland. They have since completed a number of tours and performed at some of the biggest festivals in the world. In May 2019, Lambert said that he wasn't convinced it was the right move for him to record new music with QUEEN. Speaking to Hunger, he said: "People always ask if we want to record together, and I'm not sure it makes total sense, because it wouldn't really be QUEEN, because, to me, QUEEN is Freddie. My favorite thing is collaborating and putting these concerts together and creating on stage — it's super fulfilling and exciting. To present these ideas to these two gentlemen — especially when they like the idea." Lambert previously downplayed the Mercury comparisons, saying: "There's never going to be another, and I'm not replacing him. That's not what I'm doing. I'm trying to keep the memory alive, and remind people how amazing he was, without imitating him. I'm trying to share with the audience how much he inspired me." In 2004, QUEEN recruited BAD COMPANY singer Paul Rodgers, with whom they completed two world tours and released an album, "The Cosmos Rocks", in 2008. They amicably parted ways a year later when Rodgers returned to BAD COMPANY. Since 2011, QUEEN has been fronted by Lambert.
In a new interview with Ireland's Overdrive, ANTHRAX drummer Charlie Benante spoke about how his covers album, "Silver Linings", influenced the creative process for the band's upcoming follow-up to 2016's "For All Kings". He said: "This gave me the freedom to explore and I guess… A few years ago I would have had some limitations. But now, I no longer have any limitations with my creativity, because people are open to more things these days. "I find new music, in general, to be quite boring," he continued. "A couple of years back, I believe music, as in 'the sound' of music, took a backseat, with people becoming more interested in the way people look and the overall image of the artists, which is just sad. "When we're doing an ANTHRAX record, you wouldn't believe how much I fucking nitpick at the ideas, and that's even before I bring those ideas to the rest of the band. It goes through so many compartments in my head and I'm, like, 'Okay, let me store that idea for a while and bring it out when I feel that it's right.' "Doing 'Silver Linings' gave me a different perspective on the way I do things," he added. "I'm now more, like, 'Fuck it. Let's just try this idea. So what if it's a kind of jazz-inspired part. How is that gonna sound when it's filtered through the band?' The way the other guys interpret things is really interesting and that's one of the things that keeps me so inspired. And because of that, in my opinion, the next ANTHRAX record is gonna be the best LP we've ever released." Benante later elaborated on how making "Silver Linings" helped reshape his compositional process. "Writing this new ANTHRAX record in light of this new fresh creative perspective has really opened my mind to approaching things differently," he said. "For example, learning how to create new sounds, how to mix, how to create a video that doesn't cost the band over a hundred thousand dollars, etc. I've figured out that with an understanding of certain advanced tech programs, I can do most of this stuff myself now. I just need certain key players, such as my musician friends, mixing engineer Andy Lagis, and my video editor, Dima Levanchuk." "Silver Linings" will be released on May 14 via Megaforce Records. The 14-track effort features an all-star cast of "who's who" in the thrash, metal, and rock worlds, with all cuts culled from Benante's acclaimed "quarantine jam" video series. "For All Kings" was called by some critics ANTHRAX's strongest album to date. Its arrival followed a five-year period during which the group experienced a rebirth of sorts, beginning with ANTHRAX's inclusion on the "Big Four" tour, and continuing with the 2011 release of comeback LP "Worship Music".
SLIPKNOT percussionist M. Shawn "Clown" Crahan and Murphy Quint, the head distiller at Cedar Ridge Winery & Distillery, recently answered a number of questions submitted by members of the band's fan club, Outside The 9. Part four of the question-and-answer session can be seen below. Asked about SLIPKNOT's art direction going forward, Crahan said (as transcribed by BLABBERMOUTH.NET): "For me, I spend a lot of time looking at society, listening to society, putting my ear to the street, staring at the sky, watching people on the phone, watching people at dinner, picking up little bits of information here or there. And when you do that, and you don't do it with a strict hand, you just kind of massage it, things start connecting themselves to each other. But if you force it, you can't get 'em to adhere to one another. But if you just open your eyes, pay attention and understand where you're at and maybe what you're getting into, which could be an album a year from now. But the direction is always what's going on with the beat of the world, what's happening with everyone. And it usually filters into me and somehow it gets to a larger place, and then more people get involved, and then the direction starts showing itself. But you never just wake up and admit to yourself it's gonna go one way because there's so many people involved, and you want everybody involved, and you want everybody's opinion and you want it to be beautiful for everyone. So the direction, especially on a stage, even the masks, even the music, we take this probably the most serious — absolutely the most serious. You never know where the direction's gonna go. Right now we're writing, and I'm still trying to connect dots between songs and understand where we're going; it just hasn't quite hit yet. We have a plan, but all the dots have not adhered to each other to point to a direction yet." Last October, Crahan confirmed that SLIPKNOT had been using some of the downtime during the coronavirus crisis to work on new material. SLIPKNOT's latest album, "We Are Not Your Kind", came out in August 2019. The disc sold 118,000 equivalent album units in the U.S. in its first week of release to land at position No. 1 on the Billboard 200 chart. Furthermore, the album made an impact worldwide with No. 1 debuts in the United Kingdom, Mexico, Australia, Canada, Japan, Ireland, Belgium, Portugal and Finland, as well as Top 5 debuts in Germany, France, Norway, Italy, Austria, Sweden, Switzerland, The Netherlands, Poland, Spain and New Zealand. "We Are Not Your Kind"'s sales in the U.S. were boosted by a concert ticket/album sale redemption offer with SLIPKNOT's summer 2019 tour. [youtube https://www.youtube.com/watch?v=lTkNOXLocrM&w=638&h=359]
The Federal Bureau of Investigation (FBI) has made its file related to late NIRVANA frontman Kurt Cobain available to the public for the first time. According to Rolling Stone, the 10-page file contains letters from two individuals whose names have been redacted, urging the Bureau to investigate Cobain's 1994 death as a murder rather than suicide. "I believe a great injustice might have been committed in the case of Kurt Cobain," reads one September 2003 latter. "I'm writing you in hopes for your help to press for a reexamination of Mr. Cobain's death. Millions of fans around the world would like to see the inconsistencies surrounding the death cleared up once and for all. It is sad to think that an injustice of this nature can be allowed in the United States." Included in the file are the FBI's responses to the letters. "We appreciate your concern that Mr. Cobain may have been the victim of a homicide," each response reads. "However, most homicide investigations generally fall within the jurisdiction of state or local authorities. In order for the FBI to initiate an investigation of any complaint we receive, specific facts must be present to indicate that a violation of federal law within our investigative jurisdiction has occurred." Also part of the file is a fax that Cosgrove/Meurer Productions sent to the FBI in January 1997. CMP is the company that produces the documentary series "Unsolved Mysteries", which aired an episode about Cobain in February 1997. The letter reads: "At least one investigator, Tom Grant, a Los Angeles based private investigator and former L.A. County Sheriff’s deputy, is convinced that the official ruling of suicide was a rush to judgment." Terry Meurer, co-founder of Cosgrove/Meurer Productions, told Rolling Stone: "We reach out to the FBI for various stories and try to get information on them. So that was a typical communication." You can find the full Cobain file at the FBI's web site. Cobain died of a self-inflicted gunshot wound not long after he took a massive dose of heroin — which could have proven fatal on its own. Kurt began using heroin to ease chronic stomach pain he had suffered from his entire life. NIRVANA was inducted into the Rock And Roll Hall Of Fame on April 10, 2014 — just five days after the 20th anniversary of Cobain's death.
PEARL JAM has once again made history, releasing a digital collection of music from a staggering 186 live shows that includes 5,404 individual tracks. Spanning two decades of shows, this gargantuan drop consists of the most sought-after bootlegs from fan favorite tours during 2000, 2003, 2008, and 2013. The release is sure to appeal to the band's diehard fan base while also giving access to a new generation of PEARL JAM fans in the streaming era. Check out the release here. Continuing to engage those diehard fans worldwide while also appealing to fans who may not be familiar with the band's tenured live history, PEARL JAM also launched the immersive live web hub, "Deep", on Deep.PearlJam.com. By accessing this hub, fans may search their favorite shows by category and listen to fan-curated playlists, including "Best Of" tours, "Covers", a politically charged playlist "Know Your Rights" and many more. "Deep" will enable easier discoverability across the catalog and allow newer audiences to experience the best of the band suited directly to their personal preferences. Each live bootleg on "Deep" has the added bonus of show descriptions written by Ten Club superfans adding a personal fan story to each and every record. Due to popular request, PEARL JAM has also unveiled the ability to create your own personalized setlist, using the Custom Setlist Generator. Creating the setlist each night is usually reserved for Eddie Vedder and fans have long wanted the ability to create their own. By inputting your name and birthday, you can receive a custom streamable setlist playlist and setlist graphic generated in Eddie's instantly recognizable handwriting for sharing across your social media. The Setlist also transforms into a streamable, custom playlist that has the added bonus of various Ten Club superfans written personal descriptions for the bootlegs, adding a personal fan story to each and every record. Just over a year ago, PEARL JAM unveiled their latest album, "Gigaton", to widespread critical and fan praise and a Top 5 debut on the Billboard Top 200. It graced year-end lists by Mojo, Consequence Of Sound, Insider, and more. They will embark on the "Gigaton" tour soon.
JAMES HETFIELD Says He Is 'Skeptical' About Coronavirus Shot, Hopes COVID-19 Vaccine Passports Won't Be Required
METALLICA frontman James Hetfield was a guest on episode 11 of "The Fierce Life" podcast in late March. During the half-hour chat, which can be heard below, James confirmed that he and his METALLICA bandmates have been working on music for the follow-up to 2016's "Hardwired… To Self-Destruct" album. He said (as transcribed by BLABBERMOUTH.NET): "It's either touring or writing, so COVID chose for us. There wasn't a lot of touring going on, so we get to write music." Asked if METALLICA is planning to release a new full-length album or just a few songs, Hetfield said: "Well, hopefully a new album. Whatever you call it these days — I guess it's an album, a CD, a group of songs, a collection, whatever, a stream or however you get your music now. But, yeah, a bunch of songs. We wrote quite a few songs. So we'll see how many we like first, and then we'll put 'em out. We're pretty selfish that way; we like what we write as well." James also talked about the METALLICA songwriting process during the coronavirus pandemic, saying: "This time was a little different, for sure. 'Cause of COVID, just sitting at home and getting a little bit antsy and just feeling creative at the same time and wanting to get together, I started doing a weekly Zoom with those guys just to check in. And then I just told them one time, 'Hey, I'm gonna write something. I'm just gonna play something and send it to you guys. You do whatever you want with it and see what happens and layer on to it.' So that's how we did a version of 'Blackened' 2020. I just basically played something. They hadn't heard it before. They played on it. Then it kind of got layered together. Then we started experimenting with writing on Zoom. Lars [Ulrich, drums] and I would get together, or Kirk [Hammett, guitar] and Lars, and we would get little bits of time here and there writing. It was difficult because of the delay in the sound, so we couldn't actually play together, but we would play to a click track and watch each other play. We had our producer, who was running my computer while I was playing. He was running my computer from L.A., and I'm in Vail [Colorado]. And then Lars had an assistant running his computer from L.A. — he's up here in San Francisco — and we were playing together, and it was pretty bizarre. We started writing. We got about — I don't know — over 10 songs going that way. And then we finally got together. There's only so much you can do on Zoom." Asked if he thinks METALLICA will do any touring this year, Hetfield said: "I have no clue. It's not up to me. It really is up to the safety of everyone — not just the fans, but the crew and us. I'm not sure what that means in the future as far as vaccines. I'm a little skeptical of getting the vaccine, but it seems to be rolling out and people are getting it and I've got lots of friends that have done it. I'm not totally sure about it. But I hope it doesn't come to a point where you have to have that COVID stamp in your passport or something to go everywhere. But if it comes down to that, then I'll make a decision then. We got vaccinated to go to Africa, so it's not like I've never been vaccinated before. But as a kid, I never got vaccinations 'cause of our religion [Christian Science]. So that was the only time I got one — when we were going on safari in Africa." "Hardwired… To Self-Destruct" debuted at No. 1 on The Billboard 200 album chart, selling 291,000 copies in its first week of release. This past January, Ulrich told Classic Rock that METALLICA was making "glacial" progress on the follow-up to "Hardwired… To Self-Destruct". He made the comments two months after telling Rolling Stone in an interview that METALLICA was nearly a month into "some pretty serious writing" sessions for its next studio album. That same month, Lars told Kara Swisher at the CNBC Evolve Summit that he and his METALLICA bandmates have been working on new music for "the last six [to] eight weeks virtually." But he admitted that they have encountered a myriad of technical issues which have slowed their progress. Thanks: Nudge / WEBN [youtube https://www.youtube.com/watch?v=x4iDgTkcguQ&w=638&h=359]
DEEP PURPLE has rescheduled its U.K. tour for 2022. The British hard rock legends were due to embark on a world tor in 2020, but they were forced to delay the jaunt due to the COVID-19 pandemic. A set of dates were announced for this year, kicking off in October 2021, but they've been moved once again to next year. DEEP PURPLE said in a statement: "The health and safety of all our fans, crew and fellow band mates is our priority and so we are very sad and disappointed that due to the ongoing difficulties of the COVID virus our UK tour has been postponed and rescheduled to October 2022. All tickets including the VIP experience remain valid and we can't wait to see you all where we can celebrate and finally bring the house down safely. Thank you for all your loyalty and support." 2022 tour dates with special guests BLUE ÖYSTER CULT: Oct. 20 - O2 - London, England Oct. 22 - Hydro - Glasgow, Scotland Oct. 23 - FD Arena - Leeds, England Oct. 25 - Utilita Arena - Birmingham, England Oct. 26 - Manchester Arena - Manchester, England DEEP PURPLE singer Ian Gillan, who is due to turn 77 in August 2022, told The Guardian about how he manages to "still summon the screaming god of rock when he takes to the stage": "Twenty or 30 years ago, I vowed I would never be screaming my nuts off when I was 75 years old. I used to be able to do the pole vault when I was an athlete, but I can't do that anymore either. I've dropped about a tone on my register, and that made the screaming impossible, though I still yell a bit. I'm lucky to be in a band, DEEP PURPLE, that is primarily an instrumental band. I'm just riding the pony." Four years after launching what DEEP PURPLE considered to be an extended farewell tour dubbed "The Long Goodbye", Gillan told Cleveland.com in an interview that he and his bandmates no longer have definitive plans to retire. "I think a few years ago there was some kind of effort from our business connections to sort of get an exit plan — we were all a bit under the weather, physically, so we decided on a goodbye tour," he explained. "But the operative word is 'long,' so, yeah, very long. We've got a bit to go yet. I think things are gonna be on the shelf for awhile, but then I think we'll be back for a bit of fun." Three years ago, guitarist Steve Morse said that he personally saw "The Long Goodbye" as "a farewell tour. As for the other guys, I think they will still be playing, perhaps in other groups, special projects or as guests," he told Koztimes.com. "I also plan to stay in music, but not so actively as now. But you do realize that, when the music for so many years is the most important place in your life, [it's] impossible in one day to abandon it. In general, I know that the guys are not going to retire. They would rather die onstage than in bed." DEEP PURPLE's latest album, "Whoosh!", was released this past August via earMUSIC. The LP was once again helmed by Canadian producer Bob Ezrin (KISS, PINK FLOYD, ALICE COOPER), who also worked on the band's previous two studio albums, 2017's "Infinite" and 2013's "Now What?!"
SoCal artists (HED) P.E. have revealed details for their upcoming "Sandmine" EP, set for release on July 23 via Suburban Noize Records. (HED) P.E. will commemorate the new release by hitting the road starting July 23 in Las Vegas, Nevada for a month-long headlining tour. The tour will also mark the first time the band performed tracks off their critically acclaimed twelfth studio album, "Class Of 2020", which was released last year. Comments frontman Jared Gomes: "After the success of 'Class Of 2020', we wanted to give the fans more of what they wanted! The pandemic, the election, the reaction, the pending birth of my daughter... all these experiences fueled the inspiration for 'Sandmine'. The title itself names a brutal place where only the strong survive and few are able to escape. "On 'Class Of 2020' we went back to our roots with the back-to-basics approach; but on this one we mixed all those elements together with our signature G-Punk sound and a pissed off 'Sandmine' was born. I cannot wait for the world to hear this one." Recorded at Gomes's home studio in Idaho, the seeds of "Sandmine" were triggered by producer/songwriter Remy Dovianus who co-wrote and co-produced the EP. Dovianus has been a lifelong (HED) P.E. fan and recorded the guitar and bass in The Netherlands with a goal of harnessing the signature sound of the band's biggest albums. Drummer Jeremiah "Trauma" Stratton laid down his drums with an emphasis complimenting the deep metallic grooves. Gomes is at the top of his game and ever defiant on "Sandmine", recording vocals that draw inspiration from the raw aggression of SUICIDAL TENDENCIES and RAGE AGAINST THE MACHINE, mixed with the unfiltered hardcore tones of HATEBREED. "Sandmine" encapsulates the old thrashiness and ferocity of early (HED) P.E. albums, weaving together a complex mixture of poignant punk-rock, brutal riffs, and bludgeoning drums that packs a walloping punch. (HED) P.E. are the pioneers of the G-Punk sound, which fuses together punk-rock, metal, hip-hop and reggae. For over two decades, the band has toured the world alongside hard rock chart-toppers like PAPA ROACH and LINKIN PARK, hardcore legends SUICIDAL TENDENCIES, as well as the iconic Ozzfest tour. (HED) P.E. experienced a creative resurgence after signing with Suburban Noize Records in the early 2000s and was instrumental in developing the booming underground scene. "Sandmine" track listing: 01. Sandmine 02. False Prophet 03. R.T.R. 04. Death Trip 05. Let Me Know Tour dates: Jul. 23 - Las Vegas, NV - Backstage Bar & Billiards Jul. 24 - Salt Lake City, UT - Liquid Joe's Jul. 25 - Grand Junction, CO - Mesa Theatre Jul. 27 - Denver, CO - Hermans Hideaway Jul. 28 - Lincoln, NE - Royal Grove Jul. 29 - Janesville, WI - Back Bar Jul. 30 - Joliet, IL - The Forge Jul. 31 - Chersterfield, MI - Diesel Aug. 01 - Battle Creek, MI - Music Factory Aug. 03 - St. Louis, MO - Red Flag Aug. 04 - Kansasville, WI - LIVE @ 1175 Aug. 05 - Hobart, IN - Hobart Art Theater Aug. 06 - Ft. Wayne, IN - Rockstar Lounge Aug. 07 - Cleveland, OH - The Odeon Aug. 08 - Columbus, OH - King of Clubs Aug. 10 - St. Joseph, MO - Café Acoustic Aug. 11 - Iowa City, IA - Wildwood Aug. 12 - Belvidere, IL - Apollo Theater Aug. 13 - Harrison, OH - Blue Note Aug. 14 - Indianapolis, IL - Emerson Theater Aug. 15 - Saginaw, MI - The Vault Aug. 18 - Virginia Beach, VA - Scandals Live Aug. 19 - Jacksonville, NC - Hooligans Aug. 20 - Leesburg, VA - Tally HO Aug. 21 - Clifton, NJ - Dingbatz Aug. 22 - Rochester, NY - Montage Music Hall Aug. 23 - Pittsburgh, PA - Crafthouse Aug. 24 - Altoona, PA - McGarvey's Aug. 25 - Binghamton, NY - The Cave Aug. 26 - Chicopee, MA - Geraldines Aug. 27 - New Bedford, MA - The Vault Music Hall Aug. 28 - Frenchtown, NJ - Arties Aug. 29 - Pipestem, WV - Metal In The Mountains
On May 4, five AVENGED SEVENFOLD singles and one full-length album were officially certified platinum by the RIAA (Recording Industry Association of America) for sales in excess of one million copies. Latest AVENGED SEVENFOLD platinum certifications: * "Nightmare" (single, taken from 2010 album "Nightmare") * "Shepherd Of Fire" (single, taken from 2013 album "Hail To The King") * "Hail To The King" (single, taken from 2013 album "Hail To The King") * "Almost Easy" (single, taken from 2007 album "Avenged Sevenfold") * "Bat Country" (single, taken from 2005 album "City Of Evil") * "Avenged Sevenfold" (2007 album) Last month, AVENGED SEVENFOLD's 2010 album, "Nightmare", and its 2013 follow-up, "Hail To The King", were both also certified platinum. This past March, AVENGED SEVENFOLD's sophomore album, 2003's "Waking The Fallen", was certified platinum by the RIAA. On the same day, the LP's lead single "Unholy Confessions" was certified gold for accumulating 500,000 certified units. The only other AVENGED SEVENFOLD album to achieve platinum status in the U.S. is the band's third LP, 2005's "City Of Evil". The RIAA developed its gold and platinum awards program in 1958 to honor artists and create a standard by which to measure the commercial success of a sound recording. The program trademarked the gold record and formalized the industry practice of presenting awards to artists for music sales achievements. Presently, the RIAA awards a gold honor for 500,000 units sold, a platinum honor for 1 million units sold and a diamond award for more than 10 million units sold. In the streaming age, each permanent digital album or physical album sale count as 1 unit for certification purposes, 10 permanent track downloads from the album count as 1 unit for certification purposes, and 1,500 on-demand audio and/or video streams from the album count as 1 unit. For songs, 150 on-demand audio and/or video streams count as 1 unit for certification purposes. In February, AVENGED SEVENFOLD singer M. Shadows told the Minneapolis, Minnesota radio station 93X that "70 percent" of the follow-up to 2016's "The Stage" album was "done." He said: "We're working on stuff. We have some things we can't finish right now 'cause of COVID — string players, et cetera. We know Andy [Wallace, AVENGED SEVENFOLD's longtime mixer] doesn't wanna travel, or his management doesn't want him to travel because of COVID. So there's just a lot of things going on." As for when fans can expect to see the new AVENGED SEVENFOLD LP released, M. Shadows said: "It doesn't make sense for us right now to put out a record and not be able to tour it. The world has changed. Putting out a record on Spotify without touring for a rock band, it just doesn't make sense to us. So we're gonna wait till everything is back, then we'll come out with the record, finish it up, and all will be good." Also in February, AVENGED SEVENFOLD guitarist Zacky Vengeance told Detroit's WRIF radio station that he and his bandmates have done "lots and lots of writing — at a lot slower pacer than usual" — during the coronavirus pandemic. "Now that we are a little bit older, we move around a little bit slower, but [we've done] tons of writing," he said. "We've gone to the studio. It was kind of a weird time to do anything in 2020, but that's when we felt like it was a good time to go out there and start tracking all the stuff that we had in us. "But, like I said, we're doing it at a slow pace, so we're still in the process of recording," he explained. "We're taking it really, really slow, making sure everything is the way we like it. We're not in a big rush to get anything out, mainly 'cause we wanna get on the road, and we wanna be able to bring it to life. We wanna tour, we wanna travel, we wanna play songs that people wanna hear; we wanna expose them to some new stuff. 'Cause I just feel like rushing to put something out right now and letting it dissipate because of the void, while people are worried about where their next meal is coming from or the paycheck, the last thing in the world on people's minds is, 'AVENGED SEVENFOLD's gonna put out a new album, and that's gonna be the saving grace for us all.' And I feel like we'll take it slow, let the world get a little bit back to normal, and when people are ready, we'll know — we have a good sense of that. We'll slowly finish it up, and then unleash it when the world's ready." Last December, M. Shadows told Kerrang! magazine about the musical direction of the new AVENGED material: "The [new] record sounds nothing like 'The Stage' — it's a completely new direction, and it sounds nothing like anything we've done. That's all I'll say about it: it's over the top, and it's very eclectic and wild." AVENGED SEVENFOLD kept a low profile during 2019 and will likely not return to the road until the end of this year or early 2022. A blood blister on M. Shadows's vocal cords forced the band to cancel a summer 2018 tour with PROPHETS OF RAGE and THREE DAYS GRACE. Asked if he is fully healed up now, M. Shadows told 93X: "I feel good, man. I'm just working on a new technique so that I can make sure I don't have any problems anymore. For the last year, that's what I've been doing — is switching up a lot of things, singing from a different place, and just making sure that when I hit the stage again, I don't resort back to old bad habits." "The Stage" was surprise-released in October 2016. The release of the disc, which was announced the night it went on sale, earned the lowest sales of an AVENGED SEVENFOLD album in 11 years. It sold 76 thousand copies in its first week, 73 thousand of which were physical. "The Stage", AVENGED's debut for Capitol, sold less than half as many copies in its first week as the group's two previous efforts, 2010's "Nightmare" and 2013's "Hail To The King".
Yngwie Malmsteen will release his new studio album titled "Parabellum" on July 23 via Music Theories Recordings/Mascot Label Group. The lyric video for the disc's first single, "Wolves At The Door", can be seen below. The name of Yngwie Malmsteen has always stood for uncompromising excellence. In a career that now spans more than 40 years he has proven himself to be a unique artist. You can try to categorize him in any way you wish. But the manner in which this supreme Swedish craftsman has continually developed his music makes Malmsteen sublimely transcend any definition you attempt to impose. He now has a catalog of 21 solo studio albums, each of which has much to commend. Moreover, the guitarist played a crucial role in helping to establish ALCATRAZZ as a significant force in the 1980s. Malmsteen's artistry has always clearly incorporated a healthy virtuosity, but his talent goes well beyond a comprehensive control of the guitar. The man is a fine composer and, on recent releases, has also showcased a strong vocal presence. One aspect of his approach has always shone through, and that is an abidingly deep respect for the music he plays. Malmsteen has constantly done whatever it takes to bring out all of the color, shade and hue embedded in each one of his compositions. Merely doing a very good job isn't an option. He wants to go — and does go — well beyond such limitations, into the rarefied realms inhabited by an elite number of timeless masters. This has never been more focused and informed than on "Parabellum". Malmsteen shares, "I always try to push myself on every album I do, and attempt things which are more extreme than previously. But what has helped this time is that I wasn't able to go on the road because of the pandemic. It meant I could take much longer in the studio, both to write and record. Because I am usually always on tour, which is great, I haven't had the luxury of spending a lot of time working on new music for more than 20 years. But I suddenly had no pressure at all on that front. And I feel the album has benefited enormously as a result." There are instances when musicians can have so much time available to them for the purposes of recording and writing that what comes out of the process is a little stilted and overthought. But that is never the case here. He reflects: "I am the sort of person who doesn't like to do take after take after take of any track. If something isn't to my satisfaction, I'll move on. But there were occasions with this album when I dismissed something because I thought it was a stinker. I went back a couple of days later, listened to it and wondered why I thought it stank in the first place! That's the beauty of having everything available you've done through Pro Tools. Nothing is lost. Things were changing all the time. Song titles, tempos. Everything was fluid. I would listen to a part I had done for one specific song, and realise it worked better if I transposed it into another track." Four of the songs here feature vocals. But once more, this wasn't mapped out in advance. Malmsteen offers: "I love to listen back to what I've done in the car. Sometimes I find myself singing along to what was supposed to be an instrumental. That's when I realize this song does need vocals. The opposite happens as well." On occasion, it does sound as if Malmsteen has surely incorporated keyboards into the fabric of the album's sonic tapestry. But this is not the case. He reveals: "I can assure you that, while it may seem as if there are keyboards, everything has been done by myself on guitar. Even what sounds like a piano intro to 'Wolves At The Door', the opening track, has been played on guitar." This particular composition also includes a clever reference to 19th century classical master Paganini. "It's the sort of thing I love to do. It's my way of paying homage to him. And here it works very well within the flow of the track." The album title "Parabellum" is Latin, translating as "Prepare For War". "There's a track on the album called '(Si Vis Pacem) Parabellum'," he says. "This translates as 'If you want peace, then prepare for war.' It was a last-minute decision to make this the album title. But I think it fits very well." The striking portrait on the cover was painted by the accliamed artist David Benegas. Malmsteen states: "That was my wife April's idea. David lives near us in Florida, and we were talking to him about other projects. I did a photo shoot with Mark Weiss, who I think is a great photographer and someone I've worked with for a long time. Then David based the portrait on this. The painting itself is huge, and we've had the idea to use it to raise money for the April Way Children's Foundation ('dedicated to bringing the artists of the world together to give hope to kids, teens, and young adults that have been orphaned or are in foster care all across the world')." In closing, he shares: "The bottom line for me is that the passion I feel for the music I make has to be obvious. I am the sort of person who lives in the moment. I wanted this album to have a joyous, spontaneous atmosphere. This must never sound as if it's been rehearsed so much that it becomes routine. I hope people will put on this record at the start and listen right through to the end, from start to finish. I recorded this as a singular piece of art. Not as a collection of 10 tracks you can hear in any order you want. I was asked by Mascot what song would be the lead track. The one for which I'd do a video. You know what? I'd like to do videos for everything here. I view this album as having a natural flow from start to finish. It's not to be cut up into little pieces. I want fans to experience the delight I had in making it." The complete track listing includes "Wolves At The Door", "Presto Vivace in C# Minor", "Relentless Fury", "(Sis Vis Pacem) Parabellum", "Eternal Bliss", "Toccata", "Good Particle", "Magic Bullet", "(Fight) The Good Fight" and "Sea Of Tranquility". The album will be available on CD, red tranparent LP and digital. [youtube https://www.youtube.com/watch?v=F74Tw99qfRg&w=638&h=359]
Nikki Sixx is putting the finishing touches on his new book. The MÖTLEY CRÜE bassist took to his Instagram on Thursday (May 6) to share a photo from his new home in Wyoming, and he included the following message: "Outdoor office weather for sure today in Jackson. "3rd time reading through the new book. This ain't a bad place to do it. I'd say 60 pages to go? Then starts the editing ( Open Heart Surgery With A Chainsaw ) "Book cover is done. Soon starts the design element of the book. Got a lot of photos to go through. I love this process. "The question I always ask people who tell me they wanna write a book is 'Why?' Is it a vanity project or do you really have something you need to say? I take that to heart before I start a new book. "I've learned a lot about myself during this book process but what I really hope is you learn and remember somethings about yourself." Sixx's last book, "This Is Gonna Hurt: Photography And Life Through The Distorted Lens Of Nikki Sixx", came out in 2011 via William Morrow. A tribute to Sixx's institutionalized sister, the book explored what true beauty is and embraced our own power around that. Written entirely by Nikki with no ghostwriter, the book was part journal, part memoir, part social commentary and featured his original photography. "This Is Gonna Hurt: Music, Photography And Life Through The Distorted Lens Of Nikki Sixx" was the follow-up to Sixx's 2007 New York Times bestseller "The Heroin Diaries: A Year In The Life Of A Shattered Rock Star". "The Heroin Diaries" was supposedly taken from actual journals Sixx kept in the late 1980s while in the grip of a near-fatal heroin addiction, was originally released in September 2007 via MTV Pocketbooks/Simon & Schuster and debuted at No. 7 on the New York Times Book Review non-fiction best-seller list. When "The Heroin Diaries: A Year In The Life Of A Shattered Rock Star" was published, it was accompanied by a soundtrack by Sixx's side-project SIXX:A.M. Titled "The Heroin Diaries Soundtrack", it featured collaborations with vocalist James Michael and former GUNS N' ROSES guitarist DJ Ashba. View this post on Instagram //www.instagram.com/embed.js
AEROSMITH's JOE PERRY To Take Part In Vatican Conference On COVID-19 And Other Global Health Threats
AEROSMITH guitarist Joe Perry will take part in the Vatican's Pontifical Council for Culture and The Cura Foundation's Fifth International Vatican Conference, which is being held on May 6-8. The conference is uniting the foremost leading physicians, scientists, leaders of faith, ethicists, patient advocates, policymakers, philanthropists and influencers to engage in powerful conversations on the latest breakthroughs in medicine, health care delivery and prevention, as well as the anthropological scientific and cultural impact of technological advances. Dr. Rudy Tanzi, Ph.D., professor of Neurology at Harvard University, will reportedly lead a conversation about brain health and rock stars with Perry at the new virtual format three-day conference, originally scheduled to take place at the Aula Nuova Del Sinodo in the Vatican City, which is being presented in dynamic, short-segment programs. This event is the fifth in a series over the past decade aimed at exploring and enhancing cross-disciplinary collaborations to advance human health. The series has reached a wide global audience and included then-Vice President Joe Biden addressing the 2016 conference in person. In 2018, Biden also addressed the #UniteToCure conference by video. This year's conference will gather together a formidable group of speakers across all disciplines in the midst of the ongoing COVID-19 pandemic to share their insights about health, humanity and the future of medicine. Conference organizers will also spotlight a conversation on "Bridging Science And Faith" by bringing together top physicians, scientists, leaders of faith, ethicists and theologians to explore the commonalities between religion and spirituality and health and wellbeing, as well as examine the relationship between the mind, body and soul. The discussion will delve into the anthropological and cultural dimensions of being human and look for areas of convergence between the humanities and the natural sciences. Discussions around the importance of empathy and compassion, ethical implications of advances in technology, including artificial intelligence, and the impact of innovation on anthropology are among the many areas where dialogue must occur. This important conversation is made possible through the generous support of a grant from the John Templeton Foundation. The conference will close with a message for the participants from Pope Francis. Complete conference details including the full list of speakers, topics, media moderators and supporters are available on the conference web site. "We must consider the interplay between mind, body and soul if we hope to build a more equitable health care system and improve human health care globally," said Robin Smith, M.D., M.B.A., founder and president of the Cura Foundation. "Providing an opportunity for experts from diverse disciplines to have a dialogue and share information and compare perspectives in a dynamic way and in partnership will inspire hope for patients, families and communities around the world. We often describe the conference as Davos but for health care; a multi-disciplinary approach that mobilizes global leaders to examine the world's most pressing health challenges." Conference topics will address technology and new innovations in health care and how to make quality health care available and affordable, how to improve human health by addressing the mind, body and soul and how together with empathy, compassion and through the arts, we can make the environment and the world a better place. We will talk about the revolution of telemedicine, the need to provide care to rural and underserved communities and delivering care and treatment into the home and into the community through technology and innovation that will last far beyond the pandemic. We will learn about cutting-edge therapies, examine new regulatory paradigms in regenerative medicine, explore the medical risks of loneliness, and the importance of improving health and wellbeing, caring for others and helping people age with dignity. Complete descriptions of all conference topics are available on the conference web site. "Once again, we bring together scientists, physicians, health care providers, social workers, religious leaders of many different beliefs, representatives of law and industry, scholars of ethics, anthropology and philanthropy, and others, all representing different perspectives on the world," said Cardinal Gianfranco Ravasi, president of the Pontifical Council for Culture. "No one approach can solve the perplexing and critical challenges of our times. More lenses are needed to bring into focus a complete picture of being and existence." Monsignor Tomasz Trafny, head of the Science and Faith Department of the Pontifical Council for Culture, said, "Together we will focus on advances in medical innovation and the creation of healthier communities and build bridges to catalyze the creation of new, interdisciplinary approaches and partnerships for improving health, wellbeing and understanding human uniqueness." In addition to his work with AEROSMITH, Joe has released six solo albums throughout his career. In 2005, his album "Joe Perry" was nominated for a Grammy in the "Best Rock Instrumental Performance" category. Joe's seventh studio album is due to come out later in 2021, which includes Dr. Rudy Tanzi on keyboard. In spring of 2009, Joe was asked to appear alongside Dr. Rudy Tanzi and U.S. National Institutes of Health Director Dr. Francis Collins M.D., Ph.D., in GQ magazine in a feature called "Rock Stars Of Science." Later that year, Joe accompanied Drs. Tanzi and Collins as they — and the nation's top scientists — participated in a panel discussion on Capitol Hill in front of congressmen and senators focusing on promoting cures, improving therapies and raising funds for cancer and Alzheimer’s disease. In 2010, Joe was given the title, by The Geoffrey Beane Foundation, of The Founding Father of the Rock Stars of Science Program (RSOS). Later that year, he appeared with Drs. Tanzi and Collins in GQ's "Men Of The Year" issue in a spread on the RSOS. In 2013, he was invited to again participate in the 2013-2014 RSOS campaign and was the first civilian allowed access into Sloan Kettering Memorial Hospital Labs. Rudy and Joe have stayed great friends over the years, and Rudy has even accompanied Joe as part of his band on tour.
Paying respects to the Soviet Union forces in WWII and in time for the Russian Victory Day on May 9, Swedish heavy metal heroes SABATON have released their new single, "Defence Of Moscow". The song is a cover from Russian superstar Radio Tapok who has a huge following in Russian-speaking countries and who gained popularity by covering rock and metal songs in the Russian language. "Defence Of Moscow" follows last year’s successful collaboration between SABATON and Radio Tapok on the live version of "The Attack Of The Dead Men". Covering the song in English and giving the song their unique SABATON style, the band is about to release another epic masterpiece that once again highlights an important turning point in European war history. In order to give "Defence Of Moscow" the salute it deserves, SABATON created an extraordinary and strictly limited seven-inch vinyl single in red with a beautifully etched B-side. This rarity is only available for pre-order between May 7 and May 9, so make sure you place your order before it is too late. SABATON bassist Pär Sundström states: "May 9 is celebrated as V-Day in Russia, the day to commemorate the victory over the Nazis in WW2. This year we participate in the memory of this event by releasing a song dedicated to the brave men who fought in the battle of Moscow. "This track was originally written in Russian by our friend Radio Tapok. It's a very strong song and we thought it made sense that SABATON should give it a try to make a honorable cover of this song. "We love to surprise everyone, and this is a great surprise." Last month, SABATON released the English-language version of its latest single, "Livgardet" ("The Royal Guard"). SABATON's first new music since 2019's "The Great War", "The Royal Guard" honors the Swedish Royal Guards first established in the year 1521. SABATON is arguably one of the most important bands to emerge from the modern metal scene, journeying forth with confidence on a steady ascendence that's rewarded them with five Metal Hammer Golden Gods Awards (including "Best Live Band" three different years) and multiple nominations for the Swedish equivalent of the Grammy Awards, the Grammis. In 2016, "The Last Stand" debuted at No. 1 in three different European countries and cracked the Top 3 in four others. Joakim Brodén, Sundström, Chris Rörland (guitars), Hannes Van Dahl (drums) and Tommy Johansson (guitars) curate a festival of their own, Sabaton Open Air, that started back in 2008, as well as their own forward-thinking Sabaton Cruise, that is being held since 2009. SABATON's ninth album centered on World War I, often referred to as "The Great War." "The Last Stand" delved into various "last stands" throughout history. "Livgardet" strengthens the band's well-known reputation as experts, aficionados, and storytellers regarding the triumph and tragedy of battle. SABATON headlined London's Wembley Arena in February 2020. JUDAS PRIEST chose them as main support on their "50 Heavy Metal Years" tour of North America, scheduled for September and October 2021. The group will kick off 2022 with an unprecedented 29-city tour of their home country. [youtube https://www.youtube.com/watch?v=TXGTo8K9nR0&w=638&h=359]